Archives
PERFECT BREAKOUT
My honesty unlocked me.
Learning to Forget
The first essay in Kevin Breathnach’s ‘Tunnel Vision’ (2019) is a profile of portrait photographer Berenice Abbott, whose ‘Self-Portrait with a Large-format Camera’ (1926) frames Breathnach’s account of her life, her place within the 1930s arts scene of New York, and the relationship between her photography and the viewer.
The National Normal
It’s one more song until midnight, and the end of the world.